Konark Sun Temple (Konark Surya Mandir) is a 13th-century CE (the year 1250) Sun temple in Konark, Odisha, India, about 35 kilometres (22 miles) northeast of Puri. The temple was built in 1250 CE under King Narasimhadeva I of the Eastern Ganga Dynasty. What remains of the temple complex, dedicated to the Hindu Sun God Surya, resembles a 100-foot (30 m) high chariot with massive wheels and horses, all carved from stone. Far of the temple, which once stood over 200 feet (61 metres) tall, is now in ruins, particularly the huge shikara tower over the sanctuary, which formerly stood much higher than the mandapa that still exists. The surviving structures and elements are known for their exquisite artwork, iconography, and themes, which include passionate kama and mithuna scenarios. It is also known as the Surya Devalaya and is a notable example of the Odisha or Kalinga style of architecture.
Surya is mentioned in the oldest surviving Vedic hymns with special regard for the "rising sun" and its symbolism as a dispeller of darkness, one who strengthens knowledge, the good, and all life, such as hymn 1.115 of the Rigveda. However, the application is context-dependent. Surya refers to a personified deity in certain hymns (Rigvedic hymns 5.47, 6.51, and 7.63), yet it also alludes to an inanimate object, a stone, or a jewel in the sky in others (Rigvedic hymns 5.47, 6.51, and 7.63). Surya, together with Agni and possibly Vayu or Indra, is one of the trinities depicted in Vedic writings as an equivalent emblem and facet of the Hindu philosophical idea known as Brahman. Surya appears in the same hymns as Agni (fire god) in the Brahmanas layer of Vedic literature. Surya is worshipped throughout the day, while Agni is venerated at night. The concept of a Surya–Agni link evolves, according to Kapila Vatsyayan, and Surya is characterized as Agni in subsequent literature, embodying the primal principle and the germ of the universe. Surya is clearly related to the faculty of sight, visual awareness, and wisdom in the Brahmanas layer of the Vedas and the Upanishads. In scriptures such as the Brihadaranyaka Upanishad, Chandogya Upanishad, Kaushitaki Upanishad, and others, ancient Hindu sages counselled abandoning exterior rituals to gods in favour of interior thought and meditation of the gods within, in one's path to discover the Atman (soul, self) inside of body.
Konark, Odisha, India
By the early centuries of the common era,
Konark, also known in Indian scriptures as Kainapara, was an important trading
port. Although evidence suggests that a sun temple was established in the
Konark location as early as the 9th century, the current Konark temple dates
from the 13th century. Surya worship places in Mundira, which may have been an
ancient name for Konark, Kalapriya (Mathura), and Multan, are mentioned in
several Puranas (now in Pakistan).
Konark Sun Temple (Konark Surya
Mandir) is a 13th-century CE (year 1250) Sun temple in Konark, Odisha, India,
about 35 kilometres (22 miles) northeast of Puri. The temple was built in 1250
CE by King Narasimhadeva I of the Eastern Ganga Dynasty.
The Sun Temple, constructed in the thirteenth century, was designed as a massive Sun God chariot, with twelve pairs of finely decorated wheels being carried by seven pairs of horses. This Temple is truly one of India's most stunning buildings, known as much for its towering size and perfect proportions as for the seamless fusion of architectural majesty with plastic allegiance. It is without a doubt Orissa's best. Its excellent traceries and scroll work, as well as the lovely and natural cut of animal and human figures, differentiate it from other temples. Its design and architectural details are its most distinguishing features. The Sun Temple is representative of the Kalinga School of Indian Temples, which are distinguished by its curvilinear towers with cupolas. The Temple does not deviate significantly from other Orissa sikhara temples in terms of design. The main sanctuary, which stands at 229 feet tall, was built alongside the audience hall, which stands at 128 feet tall and features complex external projections. The main sanctuary, where the presiding god was ensconced, has collapsed. The Audience Hall has been preserved in its entirety, but only minor pieces of the Dancing Hall (nata Mandir) and the Dining Hall (Bhoga-Mandap) have survived the ravages of time. The Temple grounds are 857 feet long and 540 feet wide. The Sun Temple is situated in an east-west direction. The Temple is surrounded by natural beauty, with casuarina plantations and various types of plants that thrive on sandy soil. The environment is largely unharmed. The Sun Temple's gentle undulating slope adds some variety to the environment.
Many
secondary shrines and monuments surround the main temple at the Konark Sun
Temple complex. Here are a few examples:
Mayadevi Temple: It is located west of the main temple, it dates from the late 11th century, rendering it older than the main temple. It consists of a sanctuary, a mandapa, and an open platform in front of it. Excavations were carried out between 1900 and 1910, and it was discovered. According to early interpretations, it was dedicated to Surya's wife and so titled Mayadevi Temple. Later research revealed that it was actually a Surya temple, albeit an older one that had been incorporated into the complex when the enormous temple was constructed. A square mandapa is formations by a sapta-ratha in this temple, which also contains various carvings. A Nataraja may be found in the sanctum of this Surya shrine. A damaged Surya clutching a lotus, as well as Agni, Varuna, Vishnu, and Vayu, are among the other deities in the interior.
It was discovered during excavations in 1956 in the southwest corner of the so-called Mayadevi Temple. This find was remarkable because it proved that the Konark Sun Temple complex honoured all main Hindu traditions, rather than being solely dedicated to the saura cult, as had previously been assumed. The sanctum of this modest Vaishnavite temple contains statues of Balarama, Varaha, and Vamana–Trivikrama, indicating that it is a Vaishnavite temple. These women are wearing dhotis and a lot of jewellery in these photos. The main idol in the sanctum is missing, as are images from some of the temple's niches. Vaishnava scriptures attest to the site's prominence as a Vaishnava pilgrimage site. Chaitanya, a scholar and founder of Gaudiya Vaishnavism at the beginning of the 16th century, visited the temple of Konark and worshipped at his place.
The bhoga mandapa is located to the south of this monument (feeding hall). In the 1950s, it was also discovered during excavations. It features water supplies, cisterns for storing water, drainage, a cooking floor, perhaps depressions for pounding spices or grains, as well as various triple cooking stoves (chulahs). This structure could have served as a part of a communal feeding hall or for special occasions. The kitchen complex, according to Thomas Donaldson, may have been developed after the original temple.
Well 1: This monument was apparently built
to supply water to the community kitchen and bhoga mandapa, which is located
north of the kitchen on its eastern slope. A pillared mandapa and five
buildings, some with semi-circular stairs whose function is unknown, are
located near the well.
Well 2 : This monument and its associated structures are located in front of the main temple's northern stairwell, which includes footrests, a washing platform, and a wash water drainage system. It was most likely built for pilgrims on their way to the temple.
On a
separate basement, the Naata Mandir (locally known as Bhoga Mandap) is located
in front of the porch. Between the eastern flight of the porch and the Naata
Mandir, there is a 30-foot (9.144-meter) gap. The Pitha, or basement, of the
Naata Mandir is nearly the same height as the Pitha of the Sun temple. Bhoga
Mandap, or the Hall of Offering, is how the locals referred to it.
However, given its building style and
architectural execution, it is more appropriately referred to as the Hall of
Dance or Naata Mandir. The ceiling of this Naata Mandir has collapsed in. Only
the remnants of its walls remain.
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